Everyone involved in this film deserves a pat on the back for a job well done (No Sudden Move’s only weak spot is the theft of the document, which requires a mini-Firewall with David Harbour in the Harrison Ford role this by-the-numbers set piece would be forgivable if only Soderbergh didn’t show an unjustified interest in this character’s family life long after he has outlived his usefulness). It’s only in the final stretch, during an effective Damon cameo, that screenwriter Ed Solomon gives us a glimpse into the true depth of No Sudden Move, whose title ends up referring more to the filmmakers’ approach than to the characters’ actions. Generally favorable reviews based on 38 Critic Reviews See All 76 USER SCORE Mixed or average reviews based on 76 Ratings See All 6. We assume almost by default that this is nothing more than a MacGuffin - the briefcase in Pulp Fiction, or the black bird in The Maltese Falcon - and the director is counting on this, because he in fact leaves us little choice there is so much going on in the foreground, so many twists and turns to keep track of, that we simply take the cause of it all for granted. (HBO Max) By Josh Rottenberg Staff Writer J5 PM PT Warning: The following article includes plot details from the entirety of the HBO Max movie No Sudden Move. Wisely, Soderbergh dothn’t protest too much instead, he hides what the movie really is about in plain sight, in the form of a document that Curt Goynes (Cheadle) and Ronald Russo (del Toro), a couple of petty criminals, steal, and which various individuals of dubious moral fiber are willing to pay, and even kill, for. It’s like Kevin Spacey’s final scene in The Usual Suspects, except here it’s the film itself that turns out to be Keyser Söze. From the very title down to just before the closing credits, we never for a second think we’re doing anything other than watching a typical Soderberghian thriller however, the skillful filmmaker has an ace up his sleeve, which he does not reveal until the very end. More importantly, No Sudden Move is subtle and cunning. Nearly two hours long, No Sudden Move might actually be close to too much of a good thing, but it’s definitely a marked improvement over Let Them All Talk, Soderbergh’s previous film (it’s also a lot better than his follow-up, Kimi). Movie review: 'No Sudden Move,' directed by Steven Soderbergh, starring Don Cheadle, Benicio Del Toro, David Harbour, Amy Seimetz, Ray Liotta, Julia Fox, Noah Jupe and Bill Duke. After months of marketing, memes, and a sense of momentousness, we unboxed the Barbie movie: It is both a delight and at times, too much. No film can be bad that has been directed, photographed and edited by Steven Soderbergh, and stars Don Cheadle, Benicio del Toro, Brendan Fraser, Kieran Culkin, the late great Ray Liotta, Bill Duke, and Matt Damon.
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